Answer:
b. the traditions of popular working-class styles.
Explanation:
According to a different source, these are the options that come with this question:
a. the traditions of European art music styles.
b. the traditions of popular working-class styles.
c. the traditions of sacred music as opposed to secular music.
In this text, we learn that the author believes that all the musical roots of rock and roll come from an intersection of urbanization, multiculturalism and class. The processes of urbanization and multiculturalism often take place within a small group of people. This is generally the working class of cities. Moreover, the working class people of the cities are also the ones who have traditionally enjoyed music such as blues, country, western and rock and roll. Therefore, it seems likely that the common socio-economic denominator is that of the traditions of popular working-class styles.
He wanted to represent subject matter trthfully avoiding artistic conventions and supernatural elements avenue wanted to represent things the way they really are
Answer:
Dance Suite
Explanation:
The dance suite was one of the focal musical forms of the Baroque period. Originally, they were made for dancing, but as they progressed in the Baroque era, they were then designed for listening instead, generally during important social functions. As they progressed and evolved out of the dance floor, composers started developing their suites even more complicated (still musically interesting). The Water Music also incorporated dance forms typically found in the Baroque suite. Handel combined and designed both festivity and finesse in perfect ration to retain the royal ear from tiring.