Answer:
yeah
Explanation:
Similar approaches to poetry were developed in other parts of the world. Between the fourth century B.C. and the first century A.D., Hebrew poets composed intimate and lyrical psalms, which were sung in ancient Jewish worship services and compiled in the Hebrew Bible. During the eighth century, Japanese poets expressed their ideas and emotions through haiku and other forms. Writing about his private life, Taoist writer Li Po (710–762) became one of China's most celebrated poets.
The rise of lyric poetry in the Western world represented a shift from epic narratives about heroes and gods. The personal tone of lyric poetry gave it broad appeal. Poets in Europe drew inspiration from ancient Greece but also borrowed ideas from the Middle East, Egypt, and Asia.
Types of Lyric Poetry
Of the three main categories of poetry—narrative, dramatic, and lyric—lyric is the most common, and also the most difficult to classify. Narrative poems tell stories. Dramatic poetry is a play written in verse. Lyric poetry, however, encompasses a wide range of forms and approaches.
<span>"b. It was vague and its parameters were hard to define" was a criticism made of George H.W. Bush's New World Order, since he only spoke of global governance. </span>
Answer:
B. Peaceful farmers
Explanation:
The Aztecs were skilled farmers and gardeners. In the marshland, the Aztecs had very little fertile land. But they appeared able to feed hundreds of thousands of residents of the capital, extracting maximum benefit from the environment in which they settled. In the suburbs of Mexico City, one can find quite unusual agricultural structures, known as floating gardens - chinampas. These buildings are so unusual that they are on the UNESCO World Heritage List. Chinampas is an agricultural structure consisting of canals and artificial islands. These floating gardens built around the city were able to feed a population of several hundred people. Their technology provided a very large crop.
The word is used for the Iconoclastic Controversy that shook the Byzantine Empire for more than 100 years. Open hostility toward religious representations began in 726 when Emperor Leo III publicly took a position against icons; this resulted in their removal from churches and their destruction.
