Just left to my own devices, I would have picked Stretch and/or Squash. The next closest thing (out of those three) is exaggeration. When you read the description of exaggeration, you find that physical characteristics can be exaggerated, but they should resemble some form of reality.
The second one is really a very close call. You could make a case for either secondary action, or follow through. The only one you could eliminate is pose to pose. That is reserved for how the action goes from one pose to another. That is more of a problem in technique than overall plotting. I think I'd pick follow through, because the character has stopped bouncing the ball, but he likely hasn't stopped sweating nor looking at his watch.
Pretty interesting question. You are not going to get asked that every day.
Answer: I like that his music are notable for integrating electronic music sounds with traditional orchestral arrangements. His music is beautiful and inspiring, making the viewer feel the emotions that Nolan wanted to convey with in his film.
And what I don't like about his music is that Zimmer the music of his films was with this much head-butting rarely win music Oscars.
(Sherlock Holmes)
Question One --> Peace Maker
Question Two --> Warlord
The answer is B. Gabrieli
