Pelagic Sediment
Hydrogenous Sediment
The two key principles that form the foundation for an ethical sales presentation are:
- To uncover needs.
- To solve problems.
<h3>What is a
sales presentation?</h3>
A sales presentation is an act that involves the process of speaking to customers and potential customers, so as to formally share and explain information about a product, especially for the purpose of proffering a solution to a particular problem.
This ultimately implies that, the two key principles that form the foundation for an ethical sales presentation are:
- To uncover needs.
- To solve problems.
Read more on sales presentation here: brainly.com/question/6890728
#SPJ1
Answer:
The lattice energies for the alkali metal halides is therefore largest for LiF and smallest for CsI, as shown in the table below. The ionic bond should also become stronger as the charge on the ions becomes larger.
Explanation:
It is true that one way to relieve the discomfort of cognitive dissonance is to reassess the importance of a conflicting attitude.
<h3>What is cognitive dissonance?</h3>
This is when a person's action contrast with what he or she upholds hence there is disconnection between the two.
Hence, It is true that one way to relieve the discomfort of cognitive dissonance is to reassess the importance of a conflicting attitude.
Learn more about cognitive dissonance here : brainly.com/question/3757352
#SPJ1
Answer:
“Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
Explanation:
