The Poor Clares, officially the Order of Saint Clare, (Latin: Ordo sanctae Clarae) – originally referred to as the Order of Poor Ladies, and later the Clarisses, the Minoresses, the Franciscan Clarist Order, and the <span>Second Order of Saint Francis</span> – are members of a contemplative Order of nuns in the Catholic Church. The Poor Clares were the second Franciscan Order to be established. Founded by Saints Clare of Assisi and Francis of Assisi on Palm Sunday in the year 1212, they were organized after the Order of Friars Minor (the first Order), and before the Third Order of Saint Francis. As of 2011 there were over 20,000 Poor Clare nuns in over 75 countries throughout the world. They follow several different observances and are organized into federations.[1]
The Poor Clares follow the Rule of St. Clare, which was approved by Pope Innocent IV the day before Clare's death in 1253. The main branch of the Order (O.S.C.) follows the observance of Pope Urban. Other branches established since that time, who operate under their own unique Constitutions, are the Colettine Poor Clares (P.C.C.) (founded 1410), the Capuchin Poor Clares (O.S.C. Cap) (founded 1538) and the Poor Clares of Perpetual Adoration (P.C.P.A.) (founded 1854)
Shadowing mirror since uh yeah
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The Monotone Symphony March 9, 1960
On a clear night in March at ten pm sharp a crowd of one hundred people, all dressed in black tie attire, came to the Galerie International d'Art Contemporain in Paris. The event was the first conceptual piece to be shown at this gallery by their new artist Mr. Yves Klein. The gallery was one of the finest in Paris.
Mr. Klein in a black dinner jacket proceeded to conduct a ten piece orchestra in his personal composition of The Monotone Symphony, which he had written in 1949. This symphony consisted of one note.
Three models appeared, all with very beautiful naked bodies. They were then conducted as was the full orchestra by Mr. Klein. The music began. The models then rolled themselves in the blue paint that had been placed on giant pieces of artist paper - the paper had been carefully placed on one side of the galleries' wall and floor area - opposite the full orchestra. Everything was composed so breathtakingly beautifully. The spectacle was surely a metaphysical and spiritual event for all. This went on for twenty minutes. When the symphony stopped it was followed by a strict twenty minutes of silence, in which everyone in the room willingly froze themselves in their own private meditation space.
At the end of Yves' piece everyone in the audience was fully aware they had been in the presence of a genius at work, the piece was a huge success! Mr. Klein triumphed. It would be his greatest moment in art history, a total success.
The spectacle had unquestionable poetic beauty, and Mr. Kleins' last words that night were, "THE MYTH IS IN ART".
- M.Lewis -
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