The correct answer is B. finally.
She did a couple of things and in the end ended up going home. So, home was her final destination, which is why the appropriate connective is finally. Meanwhile would mean that she went home while she was in the movie theater, which is impossible. First is obviously wrong because she went home last. And next is incorrect too because there was nothing after her going home.
"Marigolds" takes place in a rural African-Amercian community during the 1930s. While reading the story you can see how the setting influences the narrator's experiences and the conflicts she faces. The last two sentences develop the idea that the narrator is learning the importance of understanding what makes a person unique: " For one does not have to be ignorant and poor to find that one’s life is barren as the dusty yards of one’s town. And I too have planted marigolds". You have to accept things as they are, without thought or question.
Answer:
A). Elements of the supernatural.
C). An appeal to emotion.
E). An ominous tone.
Explanation:
American Gothic fiction is elucidated as the sub-genre belonging to Gothic fiction that laid emphasis on portraying supernatural elements to reflect the conflict between reason and irrationality along with the theme of guilt and obsessive passion.
As per the question, the characteristics of American Gothic fiction that are reflected in 'The Adventure of the Mysterious Picture' would include 'elements of supernatural' that helped in creating the intended atmosphere of suspense and terror that elicits the horrifying effect. 'An appeal to emotion' helps in the audience to have a haunting experience and convincing them to elicit desired response while 'ominous tone' adds flavor to the mood of thrill and threat. Therefore, <u>options A, C, and E</u> are correct.
The best answer among the following choices would be the third option C) because a theme is the message the author or narrator is trying to send to the readers/audience and never judging a book by a cover means don't look at something from a specific point of view because of the outside of its appearance but rather on the inside.
