Answer:
Explanation:
<u>1. Calculate the depreciation per unit produced:</u>
Depreciation can be established in terms of time or units produced.
In this case, since you know the number of units of products produced during the second year of machine's use, your are interested in establishing deprectiation in terms of the number of units produced.
You are given:
- useful life: 210,000 units
- salvage value: $7,000
- purchase cost: $103,000
<em>Straight-line depreciation:</em>
- Depreciation = [purchase cost - salvage value] / (number of units)
- Depreciation = [$103,000 - $7,000] / (210,000 untis)
- Depreciation = $16/(35units)
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<em><u>2) Calculate the depreciation of 33,600 units</u></em>
<em>During its second year the machine produces 33,600 units of product</em>; thus, the corresponding depreciation is:
- Depreciation = 33,600 units × $16/(35 units) = $15,360
Yes it's true, but that doesn't last very long. It creates a compression of the molecules during exactly half of each vibe, and during the other half, it leans the other way, and the molecules spread out in what's called a "rarefaction" a region of lower-than-normal pressure. This 'train' of compressions and rarefactions is what travels through the air, away from the vibrating object, and it's what some people often call a "sound wave".
The embellishment of a melody, by adding notes or by modifying rhythms
For instance, Emperor Qianlong is famous for his extensive collections of Chinese art, which superseded in scale even those of the Ming dynasty, but also for his preservation of Manchu heritage (through the commission of histories, genealogies, etc.) It was thus that the Qing dynasty was able to develop it’s art, not only through the preservation of Manchurian tradition, but through the assimilation of the culture of the nations they conquered. One can easily find portraits depicting the Qianlong Emperor as a Buddhist God in Tibetan fashion, the Yongzheng Emperor dressed as a Mongol, or even as a French Noble, etc.Naturally, as a result of the increasingly ubiquitous Western world, Chinese art would come to reflect its most prized aesthetic values: the most dominant of these, that was not present in the art of the “orient”, was realism
hope this helps
