Answer:
In my perspective, Cassie should not have got revenge. I think your essay is perfect if I do say so myself. If you would lie to add more figuretive language, I suggest you give some thing that happened to you, and put it in there, make it even more interesting. It's your decision, but I personally think It's perfect.
Explanation:
Answer:it is B
Explanation:An intensive pronoun is something that uses myself, hi self, yourself, herself stuff like that
Short Answer: A
A really super writer could get away with putting the thesis statement in the conclusion of a paragraph piece. But present day English Departments have become very rigid about where the thesis is.
It is always in the introduction. The idea is that you have to guide your reader to the arguments that follow in the paragraphs to come between the introduction and the conclusion.
Answer:
The detail that uses sensory words to describe Akela is:
C. out at full length on his rock.
Explanation:
Sensory words are words or phrases that appeal to one of more of our five senses: sight, smell, taste, touch, and hearing. Having that in mind, we can use elimination to answer this question:
A. a hilltop covered with stones and boulders - may appeal to sight, but does not refer to Akela. This option is incorrect.
B. who led all the Pack by strength and cunning - does refer to Akela, but does not appeal to any of the five senses. The words "strength" and "cunning" demand a different kind of interpretation from readers. This option is incorrect.
C. out at full length on his rock - this is the correct option. We can imagine Akela lying down on the rock; we can even see the position of his body because of this description. Imagine your dog or cat, for instance, lying down on the floor, with his/her belly's whole extension touching the floor.
D. from badger-coloured veterans - again, does appeal to the senses, but does not refer to Akela. This option is incorrect.
Answer:
Bullied at school for her dyslexia and troubled by her mother's unexplained disappearance, Kara seeks sanctuary sailing the ocean's waves in her father's boat. Meanwhile, Felix resents his well-meaning parents for dragging him to live by the coast and misses his old friends back in London. On their first encounter, Kara and Felix take an immediate dislike to each other. But when they happen to discover a dolphin calf stranded on the beach they know they must work together to save it against all odds. Realising they have more in common than they could ever have guessed, the two friends set out to find the truth behind the disappearance of Kara's marine biologist mother and to protect the delicate reef in the bay of their home town from the destruction of commercial dredging. Their actions set in motion a dramatic chain of events that no one could have foreseen. And soon they must make an impossible choice. Risk their own lives or face losing everything ...
