The value of the given prefix expression *2 / 8 4 3 is calculated to be; 1
<h3>How to work with preorder transversals?</h3>
We are given the expression; *2 / 8 4 3
We will start from the rightmost operation symbol.
For every operation symbol, the two integers following the operation symbol are the symbols on which the operation needs to be performed. Then we replace the operation symbol with the two following integers by the result of the operation.
Then we repeat for the rightmost operation symbol in the remaining string.
*2 / 8 4 3
8 / 4 = 2
⇒ *2 2 3
2 * 2 = 4
4 - 3 = 1
Thus the value of the prefix expression is then 1.
Read more about preorder transversals at; brainly.com/question/12947940
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Answer:
“Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
Explanation:
Answer: less than the number exhibiting a variant near the middle value.
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