I believe it's the third answer, Hopeful Reverence
Answer:
the variety of ideas presented in the book
Explanation:
The most important factor that Arjun needs to consider when writing a report about the different types of energy and selecting a nonfiction text for his report is the variety of ideas presented in the book.
This choice is the most important factor he needs to consider because he wants to include solar, electrical, and wind energy in his report so he would need a nonfiction text that would give him different ideas.
Answer:
King's claim in this passage is that a "determined legal and nonviolent pressure" must be mounted to end segregation in Birmingham.
Explanation:
A claim is an assertion or a statement that something or an event is correct as stated. A claim may not be true. It is therefore subject to proof. That is why claims usually require evidence to substantiate them. For instance, in preparing a set of financial statements, the principal officers (the chief executive and the chief financial officers) make assertions (claims) that the information presented therein is factual, fair, and truthful, etc. Such assertions remain mere claims until they are proved to be true. This is why external auditors, who are supposedly, independent of the management of the company, are expected to confirm or disconfirm such claims before the financial statements can be relied upon for any decision.
Answer:
the use of "Those that I," followed by a verb
the use of "I do not," followed by a verb
Explanation:
Grammatical structure is the arrangement of different elements such as verbs, adjectives, adverbs etc. in a sentence such that they create different grammatical formations, thereby creating rhythm or emphasizing in the work. In this excerpt from the poem "<em>An Irish Airman Foresees His Death</em>", this type of grammatical formation is found in two places- "those that I" and "I do not", with their preceding verbs ""fight" and "guard" and succeeding words "hate" and "love", giving the antithesis of each other.
Into the middle of a narrative without introduction
