<em><u>The statements that are true about the art of William Morris is</u></em>
- <em>For his book and some of his artworks, he created new typefaces and letting styles inspired by Renaissance art and manuscripts.</em>
- <em>He added beauty and fine craftsmanship to functional household objects. </em>
- <em>His designs often feature curved, intertwining foliage inspired by natural and medieval art.</em>
- <em>He preferred the rich color of chemical dyes for his fabrics and tapestries. </em>
<em>Hope this helps :)</em>
I believe the answer is to “Create a sense of unity due the limited use of contrast.” I’m super sorry if I’m incorrect
Answer:
In Zhou's <em>Autumn Colors</em>, atmospheric perspective is demonstrated by decreasingly dark strokes the further background elements are from the point of view. Zhou provides more line details and darkness in the foreground strokes, such as in the trees and vegetation, indicating closer proximity to the viewer. On the other hand, Kensett's work involves more realism and involves color. It has a more clearly defined vanishing point than Zhou, and atmospheric perspective is demonstrated by the decrease in saturation, detail, and contrast of the distant mountain range. Objects in the foreground are more saturated, have more detail (such as blades of grass), and are finely depicted as reflecting the light source. Zhou relies on stroke detail and intensity, while Kensett relies on color tones and a defined vanishing point to convey atmospheric perspective.
