The art of the twentieth century is largely a reflection of political, social, economic changes, which took place very quickly. As such, art has rejected traditional prejudices and concepts, in an attempt to respond to a faster lifestyle and challenges of the twentieth century. There are many different artistic directions, first as the heirs of modernism from the end of the nineteenth century, but completely new and independent. Art was thus associated with all the changes, openly criticized, and absorbed all these changes by open eyes, and remained independent. New perspectives, concepts, massive artistic productions, minimalism, have been created, as a way of fast and efficient artistic action and a reflection of reality. There has been a space for a variety of perceptions, concepts and artistic opinions, pop art as the thesis that everyone has fifteen minutes of fame, enabled the inclusion of different sensibilities and views.
Answer:
In chapter eleven, the children are waiting in the Witch's castle for her to return and turn them into stone. They are very scared and when they hear her coming, they all hide. The Witch comes in and cannot find them, so she gets angry and turns a man into a statue. She then leaves the room and the children come out of hiding.
In chapter twelve, the Witch is getting ready to go out and she tells her servants to keep an eye on the children. She also tells them to bring the children to her if they try to leave. The children are then left alone and they start to explore the castle. They find a room full of books and they also find a room with a window that looks out onto a courtyard.
In chapter thirteen, the children are playing in the courtyard when they see the Witch coming. They all hide again, but the Witch finds Lucy. She is about to turn her into a statue when Aslan appears. The Witch is terrified of Aslan and she runs away. Aslan then talks to the children and he tells them that they are going to be free.
In chapter fourteen, the children are taken to a cave where they meet the White Witch. She is very old and she is dying. Aslan tells the children that they must forgive her, and they do. The Witch then dies and Aslan takes her body away.
In chapter fifteen, the children are back in the forest and they are waiting for Aslan to come and take them home. He does not come and they start to worry. Suddenly, they hear his voice and they follow it. Aslan is waiting for them at the edge of the forest and he takes them home.
Explanation:
In the post-war period, Thomas Jefferson's United States Declaration of Independence, his influence on the United States Constitution, his autobiography, the Notes on the State of Virginia, and his many letters solidify his spot as one of the most talented early American writers. The Federalist essays by Alexander Hamilton, James Madison, and John Jay presented a significant historical discussion of American government organization and republican values. Fisher Ames, James Otis, and Patrick Henry are also valued for their political writings and orations.
Much of the early literature of the new nation struggled to find a uniquely American voice in existing literary genre, and this tendency was also reflected in novels. European forms and styles were often transferred to new locales and critics often saw them as inferior.
Answer:
I have a picture of a deformed man with a deep scowl on his face.
The answer is:
d. thy firmness makes my circle just/and makes me end
In John Donne's poem "A Valediction Forbidding Mourning," the author intends to express his desire to have a peaceful death in which his wife does not mourn him. He suggests their love is so strong that it goes beyond the physical state and will continue after death. Morever, he compares their love to a compass - his wife is the foot of the compass, which helps him create a perfect circle. As a result, he implies his wife's strength makes him complete and have a dignified and respectable death.
