Answer:
im not 100% but i believe its the frog one?
Explanation:
Answer:
A verb is an action verb, so something you can do. Some examples are, eating (eat) , running (run) , sleeping (sleep , jumping (jump) , walking (walk) and talking (talk) . Those are examples because the average human can fo those things.
The Man of the House by Frank O'Connor we have the theme of innocence, temptation, guilt, responsibility, Based solely on the fact that he has no money What is also interesting about the story is that though Gus' mother is poorly One thing thing that the main character learnt from his experience.
In The Man of the House by Frank O'Connor we have the theme of innocence, temptation, guilt, responsibility, control, resilience, redemption and acceptance.
The setting influences the plot, which includes the story's events. Certain actions are more likely to take place in specific environments. Also, the story's tone and theme rely on its setting Characters' backgrounds influence how the characters relate to and behave in the setting.
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
I believe it should be recited c. sorrowful. My second answer would be b.wistful. Hope this helps.
