true is you answer that you are looking for
I think the answer is A-Thier subjects are limited to animals
Answer:
1. The girl
2. To add depth, so people are drawn to the image.
3. The diagonal lines, because the help create a sense of movement and change.
Explanation:
1. It's a very simple concept that consists of placing your main subject somewhere near the lower, upper, left or right third of your photo scene. As you do this, your subject will become the focal point.
2. Background lines can also be used to create a sense of movement in your images, or to convey a sense of distance or depth. Converging lines that disappear into the distance are a great example of lines that help to draw the viewer into the image, while adding a sense of depth.
3. Good photographers are capable of creating images that naturally draw your eye along subtle, organic lines to a specific focal point. In order to achieve this effect, many skilled photographers use a compositional tool known as leading lines. Leading lines are incredibly effective at directing a viewer’s attention, and learning how to use them will greatly improve your photography composition.
Answer:
That the group is unaware of the Apaches and think themselves out of danger.
Explanation:
The text shown in the above question shows the influence of the soundtrack of a movie scene. The soundtrack is a fundamental resource for any film work. It is the element that gives the movie its rhythm, makes the viewer thrill, get scared or get excited. The right song helps with a character's narrative and scene composition. But it should be remembered that the term “soundtrack” applies not only to the music composed for the movie, but to all sound components such as noise, narration, silence, among others.
In the scene shown in the question above, the music suddenly changes to an ominous Indian theme, but then when the camera pans back to the stagecoach, the stagecoach theme returns. This return means the group is unaware of the Apaches and is out of danger.
That is "Fountain" by Marcel Duchamp