1. The correct answer here is the first option.
This poem by Langston Hughes who was born in 1902 and died in 1967 was a poet and social journalist among other things. In this poem which consists of two stanzas Hughes writes about the dreams, especially those of the African Americans. Here that dream is to be free and secure without constrain.
2. The correct answer here is the second option.
Both "Why We Wear Masks" and "I, too" by Paul Laurence Dunbar and Langston Hughes are similar in tone which is one of determination in making the society better. Dunbar shows in his poem that all is not well in the American society and the situation for the African Americans was not as good as it seemed. So he spoke out with determination in order to make the situation better. Hughes also spoke with determination about perseverance in the African American battle for equality which was long way from over.
3. That would be the second option.
The literary art of the Harlem Renaissance was influenced by the African American culture which was distancing itself from the white stereotypes and defining itself in its own terms through breaking apart from the Victorian moral which was able to enhance the prejudices the whites could have. This is all part of the cultural influence which could be defined as the factors (familial, historical and geographical) that shape and influence the certain processes which here is the Harlem Renaissance.
Answer:
One sister had wanted to be a soldier since she was young. The other planned to have a career in the U.S. Foreign Service, which is the diplomatic service of the United States. Both celebrated a milestone for the U.S. Army this summer: Major General Maria Barrett and Brigadier General Paula Lodi are believed to be the first pair of sisters to become generals, the military branch's highest rank.
"The fact that both of us would have come from the same family, it almost makes you want to go out and get a lottery ticket," Barrett said. "Except, this is not a game of chance. It is hard work, it is strong leadership skills."
Their rise to the rank of general signals to younger soldiers that women can fill respected leadership roles in the traditionally male-dominated Army, said Emma Moore. She does research for the military, veterans and society program at the Center for a New American Security, a bipartisan think tank that studies national security.
"They're testaments to the fact that you can join the Army and have very different experiences and rise to the top," Moore said. "There's a job for anyone and everyone in the military."
Explanation:
Hope this helps
Answer:Yes
Explanation: The Amish are closest to the Anabaptist: Protestant Christians who believe in adult baptism, pacifism,the separation of church and state and the importance of the community to faith.
I’d say you would need to know if they have any type of super powers and if they have the traits of a super hero
Answer:
Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.
The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start.
The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.
The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.
These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs).
