One of Wiesel's concerns in Night is the way that exposure to inhuman cruelty can deprive even victims of their sense of morality and humanity. The first hint of this dehumanized behavior on the part of the Jewish prisoners comes when some of the deportees, in the contraints of the cattle car, lose their modesty and sense of sexual, inhibition. Wiesel suggests that one of the great psychological and moral tragedies of the Holocaust is not just the death of faith in God but also the death in faith in humankind.<span>
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Hey there!
Have you ever heard of the movie Hidden Figures?
It was about a group of women in times where they were denied a lot of things because of their gender. However, they took a stand, got into NASA, and were a huge part in the math needed to send astronaut John Glenn to space.
Hope this helps!
Ani analyses how "DeLuca's haphazard patchwork of reasoning and evidence leaves the reader wondering whether he believes his own claim". According to Ani he quotes not only supporters of the Nobel price committee but also detractors. He includes a sampling of Dylan's lyrics and leaves them to speak for themselves.
The evidence (quotes) from the article that best supports Ani's evaluation are:
1. "And it’s a good thing [his lyrics] have been published, because if you’ve gone to see the famously sneering and syllable-garbling Dylan play live in recent years, you probably couldn’t understand a word he was singing."
We could interpret this quote as contradictory, it is not necessarily for or against Dylan's Nobel Price. You could say he is confusing his readers, he seems to be against the sung lyrics and for the published ones.
2. "On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless 'Masters Of War' . . . . It’s high dudgeon at its finest: ‘Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could?"
Ani also says that he does a sampling of the lyrics and allows them to speak for themselves. This excerpt shows part of a lyric from the song "Masters of War". He is not necessarily saying its a "good" or "bad" lyric, he describes it as: "vengeful, resolute, and timeless" the reader must decide about its quality or if it is the kind of work that deserves a Nobel Price.
