In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
The sentence that would best fit at the beginning of a first paragraph and would also make the best topic sentence is: Mammoth hot springs is a popular attraction because the springs are unique. The correct answer would be option D. This sentence is the correct answer because it is the only sentence that introduces the topic.
The correct answer is A. In the Middle Ages, spices that are now ordinary were rare imports from faraway places.
Explanation
The excerpt talks about traders who traded in black pepper grown in southwestern India, which meant too long a journey to bring these products to Europe. In the first place they had to be transported to Arabia, and from there to Syria where European merchants acquired it to take it to the different kingdoms of Europe as the author mentions when saying that "From India the pepper was shipped across to Arabia, where camel caravans would carry it all the way to Syria. The Italians could purchase enough pepper in Syria to carry with them to the next Champagne fair". According to the above, the correct answer is A. In the Middle Ages, spices that are now ordinary were rare imports from faraway places.
Answer:
C and D
Explanation:
You're asking for the definition, right?
Choice A is not a definition.
Choice B and C is an example of the word "petulant" so not the answer either.
