Answer:
roads made sending and receiving messages much faster Also, good roads made trade faster and easier, which meant more money and more efficient collection of taxes, which in turn made the Empire strong.
Explanation:
nice demon slayer pfp by the way :)
Answer:
Following are the solution to this question:
Explanation:
It varies, however this fact surprises everyone firstly, maybe you'll not accept it. People start to understand that after learning and investigating this, then your next instinct would be to help many people to understand it and spread the news around.
- It is difficult to determine the artist in terms of aesthetics, particularly works of art created even before the late nineteenth century. Other works were similar, and the creators were mainly students of the top pros.
- Those other trainees would sometimes emulate the master's theme as well as structure, which is in some cases so perfect it is almost impossible to distinguish.
There's a lot of bands with young musicians that went on to be important
Answer:
D7
Explanation:
Not to sure if im correct let me know if im wrong <3
Explanation:
Rhythm, in music, the placement of sounds in time. In its most general sense, rhythm (Greek rhythmos, derived from rhein, “to flow”) is an ordered alternation of contrasting elements. The notion of rhythm also occurs in other arts (e.g., poetry, painting, sculpture, and architecture) as well as in nature (e.g., biological rhythms).
Rhythm
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RELATED TOPICS
Music
Eurythmics
Metre
Rhythmic mode
Īqāʿāt
Isorhythm
Period
Aksak
Beat
Colotomic structure
Attempts to define rhythm in music have produced much disagreement, partly because rhythm has often been identified with one or more of its constituent, but not wholly separate, elements, such as accent, metre, and tempo. As in the closely related subjects of verse and metre, opinions differ widely, at least among poets and linguists, on the nature and movement of rhythm. Theories requiring “periodicity” as the sine qua non of rhythm are opposed by theories that include in it even nonrecurrent configurations of movement, as in prose or plainchant
