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masha68 [24]
2 years ago
8

Wut the answer to this question

English
2 answers:
notsponge [240]2 years ago
5 0

Answer:

2.) <u>to inform readers about dry lightning storms</u>

Explanation:

<u><em>"the passage talks about what a dry lightning storm is so therefore it is informing the audience about a dry lightning storm".</em></u>

Liono4ka [1.6K]2 years ago
4 0
Answer 3 I am pretty sure
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Adjectives tell which one, what kind, and how many. true or false
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true. if you ask what kind of something you would have to use an adjective to describe it. what kind is also an adjective as well as how many. they are describtive characteristics


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3 years ago
How many paragraphs should be in a narrative​
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There needs to be at least 5 paragraphs :)
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Theme and plot from chapter 9-12for lord of the flies
Radda [10]

Answer:

Simon awakens and finds the air dark and humid with an approaching storm. His nose is bleeding, and he staggers toward the mountain in a daze. He crawls up the hill and, in the failing light, sees the dead pilot with his flapping parachute. Watching the parachute rise and fall with the wind, Simon realizes that the boys have mistaken this harmless object for the deadly beast that has plunged their entire group into chaos. When Simon sees the corpse of the parachutist, he begins to vomit. When he is finished, he untangles the parachute lines, freeing the parachute from the rocks. Anxious to prove to the group that the beast is not real after all, Simon stumbles toward the distant light of the fire at Jack’s feast to tell the other boys what he has seen.

Piggy and Ralph go to the feast with the hopes that they will be able to keep some control over events. At the feast, the boys are laughing and eating the roasted pig. Jack sits like a king on a throne, his face painted like a savage, languidly issuing commands, and waited on by boys acting as his servants. After the large meal, Jack extends an invitation to all of Ralph’s followers to join his tribe. Most of them accept, despite Ralph’s attempts to dissuade them. As it starts to rain, Ralph asks Jack how he plans to weather the storm considering he has not built any shelters. In response, Jack orders his tribe to do its wild hunting dance.

Chanting and dancing in several separate circles along the beach, the boys are caught up in a kind of frenzy. Even Ralph and Piggy, swept away by the excitement, dance on the fringes of the group. The boys again reenact the hunting of the pig and reach a high pitch of frenzied energy as they chant and dance. Suddenly, the boys see a shadowy figure creep out of the forest—it is Simon. In their wild state, however, the boys do not recognize him. Shouting that he is the beast, the boys descend upon Simon and start to tear him apart with their bare hands and teeth. Simon tries desperately to explain what has happened and to remind them of who he is, but he trips and plunges over the rocks onto the beach. The boys fall on him violently and kill him.

The storm explodes over the island. In the whipping rain, the boys run for shelter. Howling wind and waves wash Simon’s mangled corpse into the ocean, where it drifts away, surrounded by glowing fish. At the same time, the wind blows the body of the parachutist off the side of the mountain and onto the beach, sending the boys screaming into the darkness.

Analysis

With the brutal, animalistic murder of Simon, the last vestige of civilized order on the island is stripped away, and brutality and chaos take over. By this point, the boys in Jack’s camp are all but inhuman savages, and Ralph’s few remaining allies suffer dwindling spirits and consider joining Jack. Even Ralph and Piggy themselves get swept up in the ritual dance around Jack’s banquet fire. The storm that batters the island after Simon’s death pounds home the catastrophe of the murder and physically embodies the chaos and anarchy that have overtaken the island. Significantly, the storm also washes away the bodies of Simon and the parachutist, eradicating proof that the beast does not exist.

Jack makes the beast into a godlike figure, a kind of totem he uses to rule and manipulate the members of his tribe. He attributes to the beast both immortality and the power to change form, making it an enemy to be feared and an idol to be worshiped. The importance of the figure of the beast in the novel cannot be overstated, for it gives Jack’s tribe a common enemy (the beast), a common system of belief (their conviction that the mythical beast exists), a reason to obey Jack (protection from the beast), and even a developing system of primitive symbolism and iconography (face paint and the Lord of the Flies).

Any more help just ask ;)

7 0
2 years ago
Khaled Hosseini life before becoming a novelist!? Some please tell me
siniylev [52]

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Hosseini grew up in Kabul; his father was a diplomat and his mother a secondary-school teacher. In 1976 he and his parents moved to Paris, where his father worked at the Afghan embassy. With the Soviet invasion of Afghanistan in 1979, they found returning to their home impossible, and they moved to California, having been granted political asylum by the United States. Hosseini attended Santa Clara University, where he studied biology, and in 1989 he began attending medical school at the University of California, San Diego. He entered private practice as an internist in 1996, three years after receiving his medical degree.

Hosseini began working in 2001 on The Kite Runner, writing at 4:00 AM before heading to his medical practice. The novel’s narrator is Amir, a writer who lives in California in the present day but who grew up in the 1970s in Kabul, the privileged son of a wealthy family. Amir’s story centres on his childhood friendship with Hassan, the son of a family servant, and its subsequent dissolution. The Kite Runner was praised for its powerful storytelling, but it was, at times, dismissed by critics for elements considered melodramatic. Nonetheless, the novel soon gained wide popularity through readers’ word-of-mouth praise, and it was eventually published in more than three dozen countries; a film adaptation was released in 2007. Prompted by this success, Hosseini turned to writing full-time in 2004. The focus brought by the novel to the continuing Afghan refugee crisis led to his appointment as a goodwill envoy for the UN High Commissioner for Refugees in 2006.

Hosseini’s second novel, A Thousand Splendid Suns (2007), was inspired by his observations of women wearing burkas during a 2003 visit to Afghanistan, his first since childhood. Continuing in the overtly topical vein of The Kite Runner, the book depicts the radical shifts in the political and social climate of Afghanistan through the relationship between two women, Mariam and Laila, the first and second wives of an abusive husband.

And the Mountains Echoed (2013) concerns a brother and sister separated when the latter is given up for adoption because of their family’s straitened circumstances. The novel chronicles the decades following the siblings’ divergence in 1950s Afghanistan. For his next work, the illustrated short story Sea Prayer (2018), Hosseini drew on the highly publicized death of a three-year-old Syrian refugee who drowned in the Mediterranean Sea in 2015. In the book a father reflects on his life as he and his son wait to depart war-torn Syria.





( this is not from me this is from the Britannica )

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kvasek [131]

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