Explanation:
Both of these stories convey a message about disconnection and estrangement. In "Young Goodman Brown," the protagonist feels misjudged, befuddled and secluded when he discovers that his town, and all the more critically, his better half, are not what he anticipated. Then again, in "A Journey," the lady is segregated in two distinct manners. She feels detached because of the way that she is a lady, and along these lines, is to some degree outside of the open eye. Besides, she is secluded due to the demise of her significant other.
The characters experience an emergency of personality when their social reality changes. On account of Goodman Brown, he understands that his town isn't what it appears when he finds everybody is scandalous, which is the plot twist. In "A Journey," which is the plot twist comes when the lady in the story understands her significant other is dead, however chooses not to state anything. This likewise prompts a personality emergency as she thinks about what losing her significant other means. Both of these stories eventually show that the characters, just as us all, are at last alone.
The answer is the difficulty of determining what is real. Typical modernists had a loss of meaning in the modern world, so there themes included the question of "What is real?" There was a search for meaning in a world without God, and a search for self with a critique of traditional values.
Answer:
The words fruitless and vain are common synonyms of futile. While all three words mean "producing no result," futile may connote completeness of failure or unwisdom of undertaking. resistance had proved so futile that surrender was the only choice left How do fruitless and vain relate to one another
<span> a) redundant I think not so sure get a second answer just to be sure</span>
