In Shakespeare's Macbeth, Act 4, scene 1, lines 97-105, Macbeth receives three apparitions which provide him with three pieces of a prophecy (1- Beware of Macduff, 2- Macbeth cannot be harmed by someone born form a woman, 3- Macbeth will not be defeated until the Birnam Wood walks to Dusinane Hill). After hearing this prophecy, he feels pleased and safe to know that he will be king until the day he dies (lines 103-105: <em>"... Macbeth</em><em>Shall live the lease of nature, pay his breath To time and mortal custom."</em>). However, he is still eager to know if Banquo and his offspring will reign eventually (lines 105-108: <em>Yet my heart Throbs to know one thing. Tell me, if your art can tell so much: shall Banquo’s issue ever Reign in this kingdom?</em>). This goes to show that he didn't feel like he had enough with knowing he would be king for his entire life, he also had to know that Banquo would not reign. This shows how irrationally ambitious and egotistical he had become.
Soda pop has a happy-go-lucky personality. He is very fond of the ladies due to being charming and handsome. Although Soda Pop seems cool all the time he has an interchangeable personality that is a combination of happy and sensitivity. Soda Pop cares for his brothers and friends greatly. His brother Pony Boy deeply admired his cool laid back traits. Soda Pop in general is a loving, happy character with an emotional side.
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Answer: Maria says that Bruno must not apologize for his sister's actions out loud. That could mean trouble for both Bruno and Maria. Any sense that Maria or Bruno disagrees with Nazi ideology could mean trouble.
Emotive language in the speech is rife as it is a war call.
Explanation:
Churchill was one of the finest at rhetoric in the nation of Britain when he wanted to do a rally call in terms of the speech to rally his troops for the fight in the world war.
This is the speech that was delivered and it was rather emotive in its content.
Blood Toil, Tears, and Sweat is in the speech "We shall fight on the beaches" but in a later version specifically written for the radio.
The original speech did not contain this allusion.
