Primary colors are___,____,and _______they make up____

What is the difference between the target audience of a movie and a play?

Mumz [18]

Answer:

Movie audience is worldwide, coming from various backgrounds and age ranges. Movies are available nearly everywhere, and the target audience is much broader and universal. The Theatre audience is focused on the local population and their interests and background. The target audience must be adapted for the specific play, interested in the production, and be able to afford the ticket. Play audience has more intention and is more participating in the experience.

Explanation:

Movies are distributed worldwide and in today’s world, they can be seen almost anywhere – from airplanes, over computers, to cinemas. Movies can be translated easily and there is a chance someone from across the globe will watch a certain movie. The audience for movies is much broader and more global, so when making a movie the director should consider how will it be portrayed worldwide in different contexts and on different screens. They can be adapted to be shown to all age groups, all language groups, and all cultures. The movie audience is also not as active as the theatre audience – the production team and the actors do not witness the reaction right away. Also, the movie stays available for a long period, and when developing it one should consider how will it be portrayed to the audience in a few years. Therefore, the audience for the movie is global, broad, and more passive.

Play is presented to the local audience, in one certain theatre for a short period. There are not many plays that are distributed in other countries and it is harder to translate a play. So the audience for the play is the local audience and the director should consider who is living in proximity to the theatre when developing the idea. The play shown in the US will have to be limited to the experience of the US audience, while the French audience will have different demands and understand different cultural contexts. Also, people who go today to the theatre are considered more well-off and invested in the play – you can’t just accidentally catch the play on TV, you have to intentionally buy the ticket for it. So the developing team should consider how to attract people to go and buy the tickets more easily. The expensive plays will be shown to the more high-standing audience, and small, local theaters will attract a more niche audience. The audience can react immediately – whether they laugh or leave the theatre affects the momentary experience of the play. Plays are shown only for a certain period, so the play should be adapted limited to the present day and age. Therefore, the director must consider which theatre the play is performed in, who can watch them play, what exact message and marketing should they use. The audience for plays is usually more mature, more invested, immediately participating, and from the specific local context.

5 0

3 years ago

Can goku beat saitama?

ivann1987 [24]

Answer: no

Explanation: Just one punch is all it'll take for Saitama to beat Goku .However, Saitama's strength is often undermined by fans when compared to Goku. For instance, yes, Goku is a Saiyan, an alien warrior race, who has the ability to enhance his strength by transforming into a Super Saiyan

6 0

3 years ago

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What approximate percentage of land is used for housing worldwide?

iris [78.8K]

Approximately 2.7% of the world’s land is covered in housing

8 0

2 years ago

List 5 general characteristics for each of the following style periods (write true statements):

ra1l [238]

Answer:

Baroque (1600 - 1750)

The Baroque period marked the beginning of what is commonly considered classical music. Music during this time developed from Renaissance music into the tonal music with which we are familiar today.

Baroque music is primarily characterized by its polyphonic texture, meaning that the music contains 2 or more independent melodic voices.

In particular, Baroque music is known for its use of the counterpoint. The counterpoint is a pretty complex musical idea, but in simpler terms, counterpoint uses different, independent musical lines that sound harmonious when played together.

Characteristics of Baroque music include:

Polyphonic texture: multiple melodic lines in different voices

Unity of mood: each piece features a single emotion (i.e. a piece that begins happy will remain happy)

Continuity of rhythm: rhythmic patterns are often repeated throughout a piece

Repetition of melody: the melody is repeated; though it is distinct, it is not lyrical

Terraced dynamics: dynamics change suddenly rather than gradually

Ornamentation (music flourishes, often fast notes, to decorate the main note)

Less use of instrumental music; large use of the harpsichord

Classical (1750 - 1830)

Music from the Classical period shifted away from the Baroque period's emphasis on polyphonic texture and more towards a single melody with accompaniment. This created music with less texture but with a more clearly defined melody.

Characteristics of Classical music include:

Single melody with accompaniment: one voice carries the primary melody while another voice plays a simpler line that supports the melody

Larger variety of keys, melodies, rhythms, and dynamics

More contrast in a piece

Shorter, clearer melodies than in Baroque music

More emphasis on instrumental music

Primary forms of composition: sonata, trio, string quartet, symphony, concerto

Romantic (1830 - 1920)

Music from the Romantic period is characterized by its much greater passion and expression than that of earlier periods. Romantic works display an expansion of form (like the key and instrumentation of a piece).

Characteristics of Romantic music include:

Freer form and more personal expression of emotion

Emphasis on lyrical melodies and themes

More modulation (change in key) to unexpected keys: the overall effect of this is that it is harder for the listener to predict what will happen next in the piece

More chromaticism and scales other than major/minor

Greater variety in pitch, dynamics, and rhythm

Less traditional chord progressions

Program music: more pieces inspired by literary/artistic sources

Greater emphasis on nationalism: many composers infused cultural songs or dances into their works

Contemporary (1920 - present):

The most conspicuous differentiation between classical music in the Contemporary period and in previous periods is the shift in tone. Whereas music from the Common Practice Period was largely tonal, much Contemporary music is atonal.

Contemporary classical music can be divided into:

20th-century Contemporary Classical Music:

Varies greatly, no dominant style

Increased use of dissonance

21st-century Contemporary Classical Music:

Huge variety in style, which include minimalism, experimentalism

Contains a variety of influences, from world music to technology

Many classical composers have written for film scores

Explanation:

6 0

3 years ago

The earliest liturgical play was based on christ's birth. a. True b. False

Helen [10]

The answer is B. False. The earliest liturgical play was not based on Christ's birth. The earliest liturgical play was based on Easter service. Liturgical Plays are plays done during the Middle Ages and usually takes place in the church. The play tells the story of Christ.

5 0

3 years ago

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Primary colors are___,____,and _______they make up_____the colors.

Primary colors are_,,and _they make up_the colors.