After reading "How Santa Claus Found the Poor-House," by Sophie Swett, we can say that the quotation that gives evidence to Part A is:
C. "He had become so accustomed to looking for a bright side that he could find one when you wouldn't have thought there was any there." ( Paragraph 28)
In Part A, we were asked about how Gobaly's attitude changed while he was shoveling snow.
The answer is that he was initially upset that it would not be a happy Christmas. However, his conversation with Methuselah reminds him to be positive.
Methuselah is weaker than Gobaly, so Gobaly feels very protective of him. They are both orphans who live at the Poor-House.
Whenever Gobaly is around Methuselah, he looks for the bright side of things so that his friend will be happy.
In their conversation about Christmas, Gobaly is trying to cheer Methuselah up. That is what makes his attitude change.
With the information above in mind, we can choose letter C as the best option.
Learn more about "How Santa Claus Found the Poor-House" here:
brainly.com/question/20461169
Answer:
A B C D E F G H I J K L M N O P Q R S T U V W X Y AND Z
YOU DONT HAVE TO SAY AND ! !
Explanation:
Shakespeare make certain lines within the plays seem more important than others.
<u>Explanation:</u>
William Shakespeare is one of the greatest legend in the literary field for his use of language and psychology of the play. A writer well known for iambic pentameter for his sonnets and plays.
Shakespeare makes certain lines within the plays more important than others to show the up and fall of a character or the change of the play. He used more than 10 syllables than his usual to highlight the importance of the play.
I would have to go with D.Old age slows even the most productive and hard-working people.
The answer is D: the cleaning woman.
In this story by the great writer, Franz Kafka, Gregor Samsa is turned into a horrible bug. This brings a lot of hardships, both for Gregor and his family.
After Gregor dies, it is the cleaning woman who gets rid of the body, in the most characteristic of Kafka´s finales, turning his main character into a nuisance that needs to be rid of in the most possible impersonal way (Samsa was not even considered a man by the end of the story).
