Answer:
you could turn it into some sort of large prehistoric bird or creature
Explanation:
1,2, and 3 point perspective, very useful.
Think of Einstein’s theory of general relativity. If a wide receiver making a catch collides in midair with the defender, the defenders often fair little better in these situations because they tend to run a little larger than receivers. But it is not a matter of force. Newton’s third law of motion (“to every action there is an equal and opposite reaction / the mutual actions of two bodies upon eachother are always equal and directed to contrary parts”) implies that this issue has to do with momentum, the product of mass and velocity. A force between two objects is an interaction that changes momentum. If the momentum of one increases, the momentum of the other will decrease by a substantial amount. All that is needed to be thought about is is the momentum right before the two come into contact and the momentum right after they stop interacting.
To <span>giving an area more focus on the problem.
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Answer:
Derived from the Portuguese barroco, or “oddly shaped pearl,” the term “baroque” has been widely used since the nineteenth century to describe the period in Western European art music from about 1600 to 1750. Comparing some of music history’s greatest masterpieces to a misshapen pearl might seem strange to us today, but to the nineteenth century critics who applied the term, the music of Bach and Handel’s era sounded overly ornamented and exaggerated. Having long since shed its derogatory connotations, “baroque” is now simply a convenient catch-all for one of the richest and most diverse periods in music history.
Explanation:
