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Rain, Steam and Speed –
The Great Western Railway
Artist
J.M.W. Turner
Year
1844
Medium
oil on canvas
Dimensions
91 cm × 121.8 cm (36 in × 48.0 in)
Location
National Gallery, London
Rain, Steam and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner.[1]
The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier.[i] It is now in the collection of the National Gallery, London.
The Great Western Railway (GWR) was one of a number of private British railway companies created to develop the new means of transport. The location of the painting is widely accepted as Maidenhead Railway Bridge, across the River Thames between Taplow and Maidenhead. The view is looking east towards London. The bridge was designed by Isambard Kingdom Brunel and completed in 1838. A hare runs along the track in the bottom right of the painting, possibly symbolising speed itself.[2] Some think this is a reference to the limits of technology.[3] Others believe the animal is running in fear of the new machinery and Turner meant to hint at the danger of man's new technology destroying the inherent sublime elements of nature.[4]
Explanation:
https://en.wikipedia.org/wiki/Rain,_Steam_and_Speed_%E2%80%93_The_Great_Western_Railway
Answer:
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The first Roman emperor to use portraitures for communicating his ideologies to the Roman populace was Augustus.Beginning with Augustus, the emperors of the imperial period made full use of portrait sculpture's potential as a tool for communicating specific ideologies to the Roman people. One of Augustus’ most famous portraits is the so-called Augustus of Primaporta of 20 B.C.E.In fact, in this portrait Augustus shows himself as a great military victor and a staunch supporter of Roman religion.
