I would also agree, that The woman in the blue dress is the complete subject
The= article
woman=subject
(in the blue dress)= prepositional phrase... in being the preposition, the being the article word, blue being the adjective, and dress being the object of the preposition
hurried= would act as your verb
across the street= another prepositional phrase
Hopefully this helped and good luck.
1. "Japan has, therefore, undertaken a surprise offensive extending throughout the Pacific area." - Here Roosevelt uses the word "surprise offensive" wich emphasizes the innocence of the United States. Thay hadn't done anything to Japan, and were attacked by surprise. And by using the word "undertaken" which states that the japanese took the initiative.
2. "Always will we remember the character of the onslaught against us." Here Roosevelt makes sure people don´t forget that this attack was unjustified and very violent. By saying "against us" he wants people to feel angry and to do something against the attackers.
3. "I ask that the Congress declare that since the unprovoked and dastarly attack by Japan on Sunday, December Seventh, 1941, a state of war has existed between the United States and the Japanese Empire." By using "unprovoked" he says again that the United States are not guilty from anything but victims of a treachery. At the same time he uses "dastarly" making the japanese responsable from the attack, making them guilty and without any justification.
The Outsiders<span> tells the story of two groups of teenagers whose bitter rivalry stems from socioeconomic differences. However, Hinton suggests, these differences in social class do not necessarily make natural enemies of the two groups. The greasers and Socs share some things in common. </span>Cherry Valance<span>, a Soc, and </span>Ponyboy Curtis<span>, a greaser, discuss their shared love of literature, popular music, and sunsets, transcending—if only temporarily—the divisions that feed the feud between their respective groups. Their harmonious conversation suggests that shared passions can fill in the gap between rich and poor. This potential for agreement marks a bright spot in the novel’s gloomy prognosis that the battle between the classes is a long-lasting one. Over the course of the novel, Ponyboy begins to see the pattern of shared experience. He realizes that the hardships that greasers and Socs face may take different practical forms, but that the members of both groups—and youths everywhere—must inevitably come to terms with fear, love, and sorrow.</span>
