Answer:
B) factories using child labor
Explanation:
Children working in dangerous or unhealthy places are always considered slave labor. According to Anti-Slavery International, slavery today is not based on the owners of other people as in the past, but being exploited and completely controlled by someone else, without being able to leave. So, the better option to fit this statement is B.
A 7-year-old student has belt-like patterns on his buttocks when he arrives at school. A child welfare organization should be informed of the injuries since they are worried about abuse.
The analysis, creation, and implementation of state laws, rules, and intervention plans pertaining to child protection and early intervention are all the responsibility of the Child Welfare Policy and Program Development Bureau. The network of agencies deems your kid to be at considerable risk of damage in one or more of the following four categories: physical abuse, sexual abuse, emotional abuse, or neglect if they name your child as the subject of a child protection plan.
The offense of child neglect is defined under Penal Code 270 PC as the purposeful and unlawful failure of a parent to give their kid basics including clothes, food, shelter, and medical care. Typically, this crime is classified as a misdemeanor, with a maximum prison sentence of one year.
Learn more about child welfare agencies:
brainly.com/question/26206191
#SPJ4
Answer: Alabama
Explanation: As of 1820, Alabama produced an estimated 25,390 bales of cotton (at about 225 pounds per bale), or 3.7 percent of the national total.
Answer:
Bop established the primacy of virtuosic solo improvisation. From the measure of the artistry and virtuosity of the solo improvisers.
Explanation: Bebop was a sort of "underground" jazz movement in its early years. Its developers and practitioners met in the after-hours of New York's jazz clubs, experimenting with new harmonic and melodic idioms during jam sessions that would sometimes last until dawn.
-Focused on improvisation and solo virtuosity in individual solos, not melody, but focused on harmonics.
The emergence of bebop melodies or "heads."
Bop tempos were faster than any jazz had ever been. This was not dancing music, and it was never really intended to be popular. It was jazz for the artists themselves and for the true jazz lovers.