Ekwefi overcomes her fear of divine punishment and follows anyway. Chielo, carrying Ezinma, makes her rounds of the nine villages. When Chielo finally enters the Oracle's cave, Ekwefi resolves that if she hears Ezinma crying she will rush in to defend her—even against a god.
The correct answer is the use of black-and-white shadow puppetry in the Balinese production of The Tempest puts more emphasis on the dialogue than on the actors.