Answer:
basically its asking how was it or what did you think about it
Answer:
number one i do not know who your classmates but in can help
i would like to promote it in i would like to promote my mother and father because they helped me have great wellness when i was a little boy
Explanation:
if you want me to put more i can let me know in the comments i respond quickly OK then i will edit my answer
The assignment wants to know how you would write a story based on a historical period of your choice. As I cannot know which period you prefer, I cannot write your answer, but I will help you to write it.
<h3>Steps to present an effective story</h3>
- Enter the historical period of interest to you.
- Show what makes this period interesting and why it would be important to your story.
- Show the context of your story.
- Show how the main character is important to this story.
- Show the location and conflicts that the story would present.
- Show why your readers would be interested.
You can search for important historical moments to identify one that sparks your interest. You must research this period to promote historically correct ideas, even if your story is fiction.
Here is an example of what your answer should look like:
<em>My story would take place at the time of colonization when European pilgrims settled in America and had to dispute territory with the indigenous people. In this story, my main character would be an indigenous hero, who would organize a resistance group in his tribe, to fight the Europeans and protect his people from exploitation and extermination. The story's conflict would be established between the Indians and the Europeans and the story would have many scenes of struggle and action. I believe that this story would be interesting for the reader because we know little from the indigenous point of view since what happened in this period was told by Europeans.</em>
Learn more about what is fiction:
brainly.com/question/27926526
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Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.
