Answer: It's long
Explanation:
The "in the hall of the mountain king " by Greig achieves unity through the eyes of a perceptive listener. We can hear that as the piece progresses the dynamics increase from a mezzo-piano to a fortissimo. As a critical listener the tempo increases through an accelerando this ties well with is forte that the middle of the piece encounters. As a casual listener, the pitch is entertaining and unexpected. As the piece progresses we can see the many layers he adds. As a referential listener, we can tell that the timbre repeats itself to the same frequency(vibrato). I feel an upbringing connotation, this piece brings life to me.
Answer:
False
Explanation:
Vocal music had an important position in the Catholic church, which was the dominant force in Western Europe, cultural and political, therefore many of the most highly respected composers specialized in vocal music.
But, at the same time, it was a period for study and development of arts, so humanists studied ancient Greek treatises on music, which discussed the close relationship between music and poetry, and the way that music could stir the listener’s emotions.
Inspired by that studies, Renaissance composers fit words and music together in an increasingly dramatic fashion, that is how opera and other genders alike were created.
Answer:
It means so much for me , because my father was the person who put me that song when I was 4.
