A. Barnum employed outrageous stunts, repetitive advertising, and exaggerated publicity to excite international attention for such amusements as the public museum, the musical concert, and the three-ring circus.
b. Bailey, he made the American circus a popular and gigantic spectacle, so-called The Greatest Show on Earth.
The poet described about the kill of the Element is given below.
Explanation:
In the 1920s a young would-be poet, an ex-Etonian named Eric Blair, arrived as a Burma Police recruit and was posted to several places, culminating in Moulmein. Here he was accused of killing a timber company elephant, the chief of police saying he was a disgrace to Eton. Blair resigned while back in England on leave, and published several books under his assumed name, George Orwell.
In 1936 these were followed by what he called a “sketch” describing how, and more importantly why, he had killed a runaway elephant during his time in Moulmein, today known as Mawlamyine. By this time Orwell was highly regarded, and many were reluctant to accept that he had indeed killed an elephant. Six years later, however, a cashiered Burma Police captain named Herbert Robinson published a memoir in which he reported young Eric Blair (whom he called “the poet”) as saying back in the 1920s that he wanted to kill an elephant.
All the same, doubt has persisted among Orwell’s biographers. Neither Bernard Crick nor DJ Taylor believe he killed an elephant, Crick suggesting that he was merely influenced by a fashionable genre that blurred the line between fiction and autobiography.
To me, Orwell’s description of the great creature’s heartbreakingly slow death suggests an acute awareness of wrongdoing, as do his repeated protests: “I had no intention of shooting the elephant… I did not in the least want to shoot him … I did not want to shoot the elephant.” Though Orwell shifts the blame on to the imperialist system, I think the poet did shoot the elephant. But read the sketch and decide for yourself.
Answer:original answers
Explanation:
This speech, reasoning, and characterization of dystopian societies by thinkers and artists serve The critical purpose. Dystopian art and literature often make the new real-world cultural, economic or political interest, e.g., the ability of government or large corporations, to the extreme to make the depiction of a dystopian society. Such the fictional portrayal serves as a warning to the community; it offers a means to distinguish the current state of affairs against the perfect situation to help ensure that the world doesn't become that nightmare. For instance, Aldous Huxley's people New globe discourages us that cognition, discipline and yet spirit-all of which exist believed by most to remain intrinsically 'good'-can be used to create the illusion of a utopia that's, in fact, a dystopia.
C( A book review written by a professional critic for publication.
