A reducing sugar is any sugar that either has an aldehyde group or is
capable of forming one in a reaction thru isomerism. The first example
that should come to mind is glucose, which can form a <span>β(1→4)</span>
linkage. Sucrose, on the otherhand, is a non-reducing sugar. And is
bascially the opposite of a reducing sugar. It doesn't form or have
aldehydes in a basic environmet.Hope this helps!!
Answer:
The answer is dopamine, tegmental
Explanation:
The most effective sites for self- stimulation for reward are along the trajectory of the Dopamine axons airising in the ventral Tegmental area and projecting to the forbiden.
D. There are no major fault lines or hot spots close by.
Why?
Because "They don’t occur anywhere else other than along the Ring of Fire" is incorrect, the Ring of Fire is just a place where many volcanoes are.
Because "The composition of the rock in that area is not conductive to eruptions." they type of rock doesn't play that much of a role in the formation of volcanoes
Because "The magma doesn’t have enough silica or gas to form an explosive eruption." It isn't a gass that is found, it is the build up of pressure from fultlines moving and things on the inside of the earth.
Please Mark Branilest!
<span>This is a very simplistic question because the distinction was clearly maintained in real life and that was only carried forward into Shakespeare's plays. The most obvious difference between people of different social classes was their clothes. People were forbidden by law to dress in certain ways unless they were rich and noble enough. The costumes used in the plays showed this: the actors playing noble people wore fine clothing (the castoffs of the real nobility).
</span><span>
</span><span>The other difference between the upper and lower class people is the way they talk. Shakespeare often puts a stately blank verse in the mouths of the upper crust and arrhythmic prose in the mouths of the common people. But not always. Even the nobility speak in prose when they are disturbed or insane, and they speak in prose all the way through Much Ado About Nothing. Prince Hal talks in prose when talking to Ned Poins. Blank verse is saved for matters of seriousness where a more poetic approach is needed. It is not, therefore, a matter of social class so much as a matter of the weightiness of what is being said (and in Shakespeare, the lower classes rarely have anything worthwhile to say).</span>
