Answer:
To the Discussion Leader Building on the research she did for her highly praised nonfiction book Kids on Strike!, Susan Campbell Bartoletti tells the fictional story of New York City newsboy Finn Reardon.Finn's journal tells of life in the Bowery district in New York City's Lower East Side in 1899.
Answer:
In Chapter 1, Tennyson learns at dinner that his twin sister, Bronte, plans to go on an afternoon date with Brewster Rawlins, an antisocial boy from their school who was once voted most likely to receive the death penalty. Tennyson is unhappy with this situation and schemes to ruin the date.
In Chapter 2, Tennyson takes his girlfriend, Katrina, to the same miniature golf course where Brewster has taken Bronte on their date.
In Chapter 3, when Tennyson and Katrina catch up to Brewster and Bronte, Tennyson manages to get Brewster alone where he threatens him, promising bodily harm if he touches Bronte. Brewster and Bronte leave.
Explanation:
Answer:
It is a false statement the one that says that people should only take part in sport in order to win, since it does not contemplate fundamental characteristics of sport that give a huge benefit to people: the social and health role of sport.
On the social side, sport is a factor that allows the socialization of people, while to practice a sport (even individual) requires the participation of at least 2 people, who will interact and carry out a social relationship which can even end up being a friendship between the participants.
In turn, on the health side, sport, like all physical exercise, results in a health benefit, as it allows the use of different parts of the body, the proper functioning of the cardiac, circulatory and respiratory systems and, thus , improves people's quality of life.
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The free-verse structure is in line with the poem's message about the suffering of a human being that was deprived of freedom. It is as if the poet desperately (and in vain) tries to break all the cruel constraints that his father had suffered in the concentration camp. The verse is free, but the structure is still stanzaic - it is impossible to recover from the trauma, however hard one might try.
The free verse also brings a conversational tone to the poem, breaking it free of all artificial techniques, and giving the content primacy over the form (up to a point). The message is just too important.