The Road Not Taken Summary is a poem that describes the dilemma of a person standing at a road with diversion.
This diversion symbolizes real-life situations. Sometimes, in life too there come times when we have to take tough decisions.
Driven by our hopes and ambitions, we take a decision taken by fewer people.
Speed is the magnitude of its velocity(the rate of change of its position), it is thus a scalar quantity. Base on that, the possible non example for speed is the acceleration, measurement of the mass, the volume, and any measurement but not speed. I hope you are satisfied with my answer and feel free to ask for more
Hi
I believe the best option was Weeping
Good luck
The tone of a poem reveals the speaker's attitude towards the subject of the poem and towards its audience. In poems, the tone is indicated by using figures of speech, rhyme, sentence structure, and imagery.
Word choice is another resource that poets have to reveal their voice. Word choice refers to the selection of words the poet chooses to use and they determine the message that the poet is trying to convey. It adds style to the work. For example, choosing between abstract or concrete words draws an idea of the poet's style.
Answer: This is a passage from <em>"Emma"</em>, a novel written by Jane Austen.
Explanation:
<em>"Emma" </em>is Jane Austen's 1815 novel. It is a story about the relationships between different people and families in the fictional village of Highbury. The protagonist of the story is Emma Woodhouse, a twenty-year-old.
The passage given above is an excerpt from <em>Chapter 47</em>. Emma is having a conversation with her friend, Harriet Smith. Harriet reveals to Emma that she has certain feelings for Mr. Knightley, a landowner who is almost twenty years older than her. Throughout the novel, Emma never truly thinks about her own feelings - she is too busy finding a perfect match for Harriet. It is only when Harriet confesses that she is in love with Knightley that Emma becomes jealous and realizes that she might love him, too.
