Answer: The effect of the point of view is A) the reader gets direct advice on the process. Moreover, the author's purpose is A) to explain how to get around meat restrictions. Finally, the point of view that the author uses in this passage is B) Second person.
Explanation: The point of view that the author uses in this passage is second person as<u> he is directly addressing the reader.</u> What indicates this is the <u>use of the second person pronoun "you"</u>. As a result,<u> the reader receives direct advice from the writer</u>, which is mainly expressed in the first sentence ("If you are really determined to eat meat all week, it is possible to buy a license to do so"). Therefore, the advice is the effect of the second person point of view. As regards the author's purpose, <u>he intends to explain the reader how to eat meat despite the restrictions</u> set on the consumption of this type of food. This is also expressed in the first sentence of the passage.
Answer:
The last option
Explanation:
Its the only answer that is the thesis statement with different words
Hope that helps
As an affirmation of her loyalty, Keysha agreed to become a secret agent.
Or C as in cat
Answer:
Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.
The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.
Answer:
answer D is corect plz give brainlest
Explanation
I just took the quiz
