I believe it's B, parentheses.
Comment the correct answer.
Answer:
Explanation:
Right Pane.
We are back to Ivan. We found out how he felt about getting married. He was not thrilled, he was not head over heals. He was ... accepting. He was cold blooded like a reptile. He weighed carefully what he thought were her virtues.
- She was passable good looking.
- She had property, and he hoped income.
- She was acceptable to the society he lived in.
- What's not to like? So he married.
The third one is not a big consideration, but it is a consideration. The fact that she was proper added to what he thought of her.
So what to pick?
The last three are not mentioned. So they are not a consideration. He doesn't say, for example, that he yearns for company.
Is there a comment in there about the middle class? Not even inferred. So B is incorrect.
Though it is a minor consideration, A has to be your answer.
Center Pane
Terror, aborrance, decay, suggestive shadows. All these things are present. But he is also thrilled by them. Complex man. He appeals to us for the same reason some people go to horror movies just to be scared out of their minds.
I'd pick B but you could defend at least 3 of them.
Left Pane
I'd pick the first and the last.
You haven't got time to do much else. Certainly the 3rd one is out of the question. I don't think you should be doing the fourth one. Let your essay do that for you. And the second one is almost irrelevant at this point.
First and last.
Answer:
life is not fair we all get different opportunities some people want to bed famous and others didnt want to be but they are forced to.
Explanation:
Hello. You did not present the story to which this question refers, which prevents it from being answered accurately. However, I will try to help you in the best possible way.
The interactions between the characters can develop the theme of the story in as many ways as possible. Among these forms, the characters can develop a conflict that points to the theme addressed in the narrative, as they can present different perceptions of the same subject, or even, stimulate conversations that directly point to the theme of the story. To determine this, you must be able to identify the theme of the story and see how the characters associate with it and what actions promoted by the characters develop it.