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agasfer [191]
3 years ago
6

HELP PLEASE! I need a good way to end my paper. I'm writing about an experience where I learned from a mistake. In my story, I m

essed up a painting but figured out how to make it work. The last thing I have is " The thing that stuck with me the most was that the painting wouldn’t have it’s unique look if it weren’t for my mistake." What should come next to conclude what I learned?
English
2 answers:
Over [174]3 years ago
8 0
1. Even though my mistake was a mistake, it created something good, if it werent for the bad things in life like mistake's. Then there would not be great moments.
2. If there was no such thing as bad, then there would no such thing as good.they walk hand in hand.
Nikolay [14]3 years ago
4 0
Everything happens for a reason including your mistakes - maybe my mistake is for the good. Nothing is perfect. Your mistake could be someones goal. You can make your own definition of mistake.
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Read the excerpt from act 2 of a doll's house. nora: [quickly] he mustn't get the letter. tear it up. i will find some means of
tatiyna

It can be inferred form the excerpt that the conflict introduced is that: "Krogstad tries to blackmail Nora into getting Helmer to keep him at the bank by exposing her forgery." (Option C)

<h3 /><h3>What is a Conflict?</h3>

A conflict is the tension between two ideals. Usually, this is relative to the protagonist and other internal and or external elements of the play or plot.

Only Nora's father can assist Krogstad in regaining his much desired position at the bank as he has lost his employment there.

Knowing this, Krogstad contacts Nora and advises her to persuade her father to reinstall Krogstad in his position at the bank by speaking with him.

When Nora declines, Krogstad threatens to reveal material that would damage her image unless she puts in a nice word for him with her father. After a brief exchange of minor insults, Nora ultimately caves.

Hence, the correct answer is Option C.

<u>Full Question</u>

<u></u>

Read the excerpt from act 2 of A Doll's House. Nora: [quickly] He mustn't get the letter. Tear it up. I will find some means of getting money. Krogstad: Excuse me, Mrs. Helmer, but I think I told you just now— Nora: I am not speaking of what I owe you. Tell me what sum you are asking my husband for, and I will get the money. Krogstad: I am not asking your husband for a penny. Nora: What do you want, then? Krogstad: I will tell you. I want to rehabilitate myself, Mrs. Helmer; I want to get on; and in that your husband must help me. For the last year and a half I have not had a hand in anything dishonorable, amid all that time I have been struggling in most restricted circumstances. I was content to work my way up step by step. Now I am turned out, and I am not going to be satisfied with merely being taken into favor again. I want to get on, I tell you. I want to get into the Bank again, in a higher position. Your husband must make a place for me— Nora: That he will never do! Krogstad: He will; I know him; he dare not protest. And as soon as I am in there again with him, then you will see! Within a year I shall be the manager's right hand. It will be Nils Krogstad and not Torvald Helmer who manages the Bank. Nora: That's a thing you will never see! Krogstad: Do you mean that you will—? Nora: I have courage enough for it now. Krogstad: Oh, you can't frighten me. A fine, spoilt lady like you— Nora: You will see, you will see. Krogstad: Under the ice, perhaps? Down into the cold, coal-black water? And then, in the spring, to float up to the surface, all horrible and unrecognizable, with your hair fallen out— Nora: You can't frighten me. Krogstad: Nor you me. People don't do such things, Mrs. Helmer. Besides, what use would it be? I should have him completely in my power all the same. Nora: Afterwards? When I am no longer— Krogstad: Have you forgotten that it is I who have the keeping of your reputation? [NORA stands speechlessly looking at him.] Well, now, I have warned you. Do not do anything foolish. When Helmer has had my letter, I shall expect a message from him. And be sure you remember that it is your husband himself who has forced me into such ways as this again. I will never forgive him for that. Goodbye, Mrs. Helmer. [Exit through the hall.]

What conflict does Krogstad introduce?

A) Krogstad tells Nora that he has written a letter telling Helmer about her affair with the doctor.

B) Krogstad refuses to forgive Helmer unless Nora finds a way to come up with more money.

C) Krogstad tries to blackmail Nora into getting Helmer to keep him at the bank by exposing her forgery.

D) Krogstad plans to take Helmer’s job managing the bank and ruin Nora’s reputation while doing so.

Learn more about conflicts at:
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Considering the authors’ use of appeals in their passages, which paragraph most appeals to logos?
notsponge [240]
I'm sorry, but you forgot to provide the paragraphs...
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3 years ago
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I need a medium Essay pls help read the be sure to
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Answer:

jayfeather  friend me

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Kate doesn't like cartoons because they are loud, so she doesn't watch them.

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She likes to sleep in but she can get up early if she has work.

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Oksana_A [137]

Flat character - A predictable character who has only one dominant characteristic

Flat characters are those that play a side role in the story, they do not change (or change too little) in the course of the narrative, they are simple, only exhibit one or two qualities, and do not show any emotional depth, thus, they tend to be very predictable.

Round character - A character who is complex in nature, with multiple aspects to his or her personality

A round character is the one that is the most similar to real humans being: they are complex, have multiple aspects or layers of personality, have depth in feelings and passions, have contradicting or inconsistent behaviors and they go through major changes throughout the story. This type of character is usually one of the main characters.

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Dynamic characters are those that are not as complex as round characters but they do have experiences that lead them to gradually undergo changes or substantial transformation through the story, whether in personality, attitude, points of view or maturity; and these changes don't tend to be described outright, rather, these traits are referred to as they change over time.

Static character - A character who does not develop much during the story

Static characters are those that may have an interesting personality that attracts people's interest, and can also be protagonists, but that don't develop much (or nothing at all) during the story.

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What is the central idea of "Is 16 too young to drive a car?"
disa [49]
The central idea of that topic is the fact that there is a maturity factor of driving. As a driver myself you can tell who has been driving for a a decent amount of time and who is a new driver. So in conclusion it is just the fact of maturity

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3 years ago
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