Irony is:
A. a literary technique that involves surprising, interesting, or amusing contradictions.
The definition of irony is: <span>a state of affairs or an event that seems deliberately contrary to what one expects and is often wryly amusing as a result.
An example of irony would be that </span><span>the name of Britain’s biggest dog (until it died recently) was 'Tiny'.</span>
This question seems a little tricky because the answer is too obvious to be accepted without further discussion. However, I will try to explain in detail the validity of my answer.
If we say that a song transcends musical Genres, it is because the song has gone beyond the limitations of rhythm; such a song is too great to be framed into one specific musical category. Because that is what genres are, musical categories used to define music.
Having mentioned the former, one can no longer enclose such a song into one single genre, sometimes it could be considered a “fusion” if two well-defined musical genres are overtly present in the song.
But all in all, the answer to this question would be no, you can no define any longer a transcended song into either or one musical genre, at most you could call it a fusion.
Answer:
Early in the morning,Mr Johnson and Andrew woke up and saw that their compound is untidy because the dry leaves has fallen on to their compound so they needed to tidy the place
Answer:
The best mediums for the student to use would be Powerpoint or Prezi.
Explanation:
It is important that students use visual aids to make the presentation more attractive and complete. For this reason, oral presentation alone does not represent the best presentation medium for the student, as it can leave the presentation dull. The ideal is to combine the oral presentation with a presentation on Powerpoint or Prezi, which will make everything more dynamic, fast, beautiful, efficient and interesting.
I think it's
C.
Famous Renaissance painters include Michelangelo, an Italian;
Hieronymus Bosch, from the Netherlands; and Jan Van Eyck, from Belgium.
