Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
Answer:
https://bookies.publicbookshelf.com/life-in-the-woods/Explanation:
Gon' pop like trouble Breakin' into your heart like that
This painting is significant for art history because it challenged the conventions of landscape painting. It is a representation of a natural scene, but nature itself isn't the real background for the painting. The background is the painter's personality and inner psychological struggle. The wheatfield is strikingly yellow, against the deep blue color of the sky, leaving an impression of uneasiness and agitation, rather than serenity. The scene is an epitome of deep, unresolved mental anxiety, from which there is no way out. The middle road, central to the painting's composition, leads nowhere.
The reason why I would choose Purcell over other composers would be because of how he used the unique form of Baroque music.
<h3>Who was the composer Purcell?</h3>
He was an English composer and his full name was Henry Purcell he was famous for his incidental music to a version of <em>Shakespeare's A Midsummer Night's Dream called The Fairy Queen.</em>
Hence, we can see that the personality of Purcell was one that was jovial and outgoing as he was an organist at the age of 20 for Westminster Abbey which also showed his incredible talent.
Read more about musical compositions here:
brainly.com/question/26373912
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