There are 7 social classes in Egypt. First was the kings who had their own palace and was treated like gods. The second is the priest, they were the only people that could talk to the gods and told the people what they need to sacrifice. The third one is the nobles (land owners). They were the middle class and had restrictions but had a very easy life. The fourth is the military leaders, they led armies. The fifth is the merchants, artisans, and scribes. They are low on the social class but lived in town. The sixth is farmer, herders, and fishermen. They usually live outside of town in mud houses and usually trade with neighbors. The seventh one is slaves, they were treated with little respect and usually owned by kings, priest, or nobles.
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Answer:
Balloon framing/construction
Explanation:
In balloon construction, exterior wall studs continue through the first and second stories. First floor joists and exterior wall studs both bear on the anchored sill.
Balloon construction is a style of wood-house building that uses long, vertical 2" x 4"s for the exterior walls. These long "studs" extend uninterrupted, from the sill on top of the foundation, all the way up to the roof and It is called balloon construction because each floor level is framed as a separate unit or platform.
<span>True. Social science (as is any science) is always finding new ways to conduct research and finding new evidence that furthers the field. The sciences are always looking for information that will give new insights into how people conduct themselves in groups and as individuals.</span>
Answer:
For the last 50 years, Israel has been forcing thousands of Palestinians off their land, occupying and illegally using it to create settlements that exclusively house Jewish Israeli settlers. Entire Palestinian communities have been displaced by these settlements.
Explanation:
Answer: Ghareeb Nawaz, or reverently as a Shaykh Muʿīn al-Dīn or Muʿīn al-Dīn or Khwājā Muʿīn al-Dīn (Urdu: معین الدین چشتی) by Muslims of the Indian subcontinent, was a Persian Muslim[3] preacher,[6] ascetic, religious scholar, philosopher, and mystic from Sistan,[6] who eventually ended up settling in the Indian subcontinent in the early 13th-century, where he promulgated the famous Chishtiyya order of Sunni mysticism.[6][7] This particular tariqa (order) became the dominant Muslim spiritual group in medieval India and many of the most beloved and venerated Indian Sunni saints[4][8][9] were Chishti in their affiliation, including Nizamuddin Awliya (d. 1325) and Amir Khusrow (d. 1325).[6] As such, Muʿīn al-Dīn Chishtī's legacy rests primarily on his having been "one of the most outstanding figures in the annals of Islamic mysticism."[2] Additionally Muʿīn al-Dīn Chishtī is also notable, according to John Esposito, for having been one of the first major Islamic mystics to formally allow his followers to incorporate the "use of music" in their devotions, liturgies, and hymns to God, which he did in order to make the foreign Arab faith more relatable to the indigenous peoples who had recently entered the religion or whom he sought to convert.[10] Others contest that the Chisti order ever permitted musical instruments and a famous Chisti, Nizamuddin Auliya, is quoted as stating that musical instruments are prohibited.
Explanation:
