The feeling that Oscar is going to have an accident if he does not circle his car five times before he gets in it represents an obsession.
The term obsession denotes a psychological state, a state of mind of being obsessed with someone or something <span>with an often unreasonable idea. In this case the idea is unreasonable because circling the car five times does not have anything to do with making or not an accident.</span>
Explanation:
1.The first example that I can cite that explains "the theory of arousal" is when I had my physiological needs covered but I did not have a job, I felt that I needed to work, achieve personal goals
That is why, as this theory explains very well:
Humans seek an optimal level of arousal:
- Too low = boredom
- Too high = stress.
The second example has to do with the need to work and the type of work we do; for example if I need money to survive and help my family, I know I have to work, but if I study a career such as teaching that allows me to satisfy that need and at the same time feel comfortable and fulfilled with my work, that is a great incentive ; here the "impulse reduction theory" is fulfilled, which explains the following:
"When the need and an incentive come together, they make us feel
powerfully driven towards satisfaction "
2.When examining these two examples and comparing the two theories exposed we see that there is a great relationship; Although at first it is necessary to satisfy basic needs, then comes the satisfaction of social, security and self-realization needs as set out in the Maslow pyramid.
Yes.
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According to Sporre, it was during the 18th century that a differentiation between fine art and applied art began to take shape.
This distinction can be traced back to philosophers such as Jean-Jacques Rousseau who argued that there is an inherent difference in talent between artists who paint landscapes versus those who create portraits or figure sketches.
<h3>When was the separation of the fine and applied arts encouraged?</h3>
In the 18th century, Sporre argues that the values of an era encouraged the division of fine and applied arts.
He states that during this time period, people were more interested in practical applications than artistically-oriented endeavors.
This was due to advances made in science and technology, which allowed for things like machines, weapons, transportation systems etc to be developed and manufactured.
As a result of this emphasis on practicality, art became less important as it did not immediately have utilitarian value.
Taking account of both aesthetic and functional aspects simultaneously became something considered innovative or even daring which set the scene for later developments within the fine arts such as symbolism and abstractionism.
To learn more about applied and fine arts, visit:
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