Answer:
My car, which was just washed, needs to be waxed.
O My car, which was just washed, needs to be waxed.
My car, which was just washed, needs to be waxed.
O My, car which was just washed, needs to be waxed.
My car, which was just washed, needs to be waxed.
Explanation:
I think this is what your looking for but im unsure
Answer:
they made him change his attitude towards people in general
Explanation:
First of all, the setting is enhanced by a stark contrast between two images that are put into the equation. The first image represents a bleak, gloomy picture of anonymous faces deep beneath the ground, in the Metro station, waiting for their train to come. The second image suddenly brings us somewhere else - into nature, with hints to the bleakness of the first scene ("wet", "black"). The setting of this short, modernist haiku poem is a big city with all modernist fascination by its crowded scenes, dynamics, and alienation. It's like the speaker froze the image, the people's actions and movements at this crowded place on a busy day. But it's not the speaker's influence; it's their very act of passively waiting for the train. By introducing the glimpse into nature, Pound made a counterpoint that provides an entirely new and fresh perspective on the city scene. Another modernist element is the use of language - everyday language, unadorned, free of all formal restraints, direct ("these") and simple. It also enhances the setting of the poem because it fits into the city context.
Your answer is false buddy you have to give credit to the origin.
Answer:
C. She cooked a delicious meal, and then she invites all of us over to share it with her.
Explanation:
cooked (past) ..... invites (present)