I'd say the answer is B, people are victims of circumstances. The lieutenant was shot and had to have his arm amputated. It isn't specified what the battle was about or what side he was on so we can't say it is A or C because it takes those certain details to come to the conclusions that people get what they deserve and good triumphs evil. Moreover, people cannot control what happens to them as we saw. The lieutenant got shot, something he wasn't controlling, and he had his arm amputated, something he clearly objected to but still had done. He had absolutely no control of anything throughout the story. Therefore, the only logical answer would be B
Five Steps to Analyzing and Evaluating Arguments
In the very, very simplest terms, judging the validity of an argument starts centers around this process:
1) Identify the rhetoric (Lines of Argument) from the actual, formal reasons. Separate the persuasive language from the actual claims to truth and fact.
2) Analyze those reasons (claims to truth and fact) by identifying their logic (often in the Implicit Reasons) and evidence.
3) Test and evaluate the logic and evidence; identify logical errors and ask whether the evidence can and has been tested and objectively, repeatedly, factually verified.
I only have 3 steps but i hope it can help u!
Answer:
This memory moment shows that he never gives up. I know this because in the event it states "He had been looking for feathers, for the color of the bird, for a bird sitting there. He had to look for the outline instead, had to see the shape instead of the feathers or color, had to train his eyes to see the shape..." My evidence supports my claim because the quote that I used explained how he was focusing on the wrong detail and he had to find this detail by trying over and over again to find the birds which support the theme of brian not giving up and staying determined.
Explanation:
The answer would be D. because it is practically its to themselves.
Answer:
autobiography, the biography of oneself narrated by oneself. Autobiographical works can take many forms, from the intimate writings made during life that were not necessarily intended for publication (including letters, diaries, journals, memoirs, and reminiscences) to a formal book-length autobiography.