Advanced Composition' and Occasion-Sensitivity Further, people read for two reasons: entertainment or information. [ A writer who confuses, bores, or threatens the reader, "has lost that reader, usually for good." Earlier, Donald Murray's indispensable A Writer Teaches Writing (1968) focuses firmly on the target-audience. So writers, and now textbooks, embrace this pragmatism. Do the nation's writing classrooms, secondary and even collegiate, follow suit? Quite possibly not, which may suggest that advanced composition may often have a mandate to emphasize sensitivity to occasion as the keystone skill in real-world writing which it in fact is. My own foray into freelance writing in particular?77 articles in five years, but not without initial stumbles?taught me that real-world writing in general is varied, difficult, possible, necessary, satisfying. I now feel obligated to impart some of this perspective to my advanced writing students especially. ]
1.c-<span>The wealthy are greedy and do not give to the poor.
</span>2.d-She is stunned that he vanished before her eyes.
The true sentence is the following one:
B. Individual productivity is necessary for group productivity.
Imagine a work in a group, where the people all receive their personal tasks that they will later incorporate into the group work. If each person is not productive on their own task then the whole group will not be productive!
Answer: relevant questions your audience may have
Explanation: in order to keep one's audience engaged, a person must relate to them. relevant questions that your audience may have are a great example of how to keep the audience interested.