Answer:
Picture a simple scene with a person standing before a landscape. If you photograph them from your eye level, the photograph looks exactly like what a passerby would see with their own eyes as they walk past you, the photographer, capturing an image of your friend. Now, this photograph can be fine—depending on the execution—but think about how you can change the composition by altering your viewpoint.
You can change your elevation. Kneel down and take a photo. Or, hold the camera above your head and shoot down on your subject. Move right. Move left. Go aside your subject or behind them. Get closer. Get further away. Roll diagonally right or left. Notice how the background shifts. Notice how things are added to or eliminated from the foreground. Most importantly, notice how the photograph you capture is no longer something that a casual passerby would see.
Subtle changes in viewpoint can add a deeper meaning or feeling to an image. When is the last time you saw a photograph of the President of the United States seated behind the Resolute desk in the Oval Office, taken from above his or her head? By shooting lower, the photographer emphasizes an iconic vantage point, signifying the power of the office. You will be hard pressed to find a photograph of the Oval Office where the camera is positioned higher than the President. On the contrary, if you were to photograph a young student being scolded at his desk, you would likely shoot the image from a higher viewpoint—from the vantage point of the dean or principal about to assign punishment—or you would chose the lower perspective from the student’s point of view with the towering power figure looming overhead.
Changing your viewpoint is a photographer’s great advantage. We see the world from eye level—be it walking around the city, driving down a country road while seated in a car, or bicycling through a village—and that level is relatively the same for all adults. The photographer, however, can give us a child’s eye view of a scene, a bird’s eye view, or even a viewpoint that is literally unique to the camera, as the human eye cannot physically reach the position. Use this freedom to your aesthetic advantage and make images from creative viewpoints.
:
Answer: 42
Step-by-step explanation:
To solve this question, we have to find the lowest common multiple of 9, 12 and 18 and then add 6. This will be:
Multiple of 9 = 9, 18, 27, 36, 45
Multiple of 12 = 12, 24, 36, 48, 60
Multiple of 18 = 18, 36, 54, 72, 90
The lowest common multiple is 36. Ww will then add 6. This will be:
= 36 + 6
= 42
The solution of the system of linear equations is 
, 
.
The point of intersection represents the solution found analytically and represents the scenario in which the <em>same</em> quantity of adults and children assisted to both shows.
<h2>Procedure - Determination of the number of people assisting to a movie</h2><h2 /><h3>Construction of the system of equations</h3><h3 />
In this question we need to construct a linear function for the total of people that assisted to the evening show and for the total of people that assisted to the afternoon matinee. The system of equations is described below:
Evening show
(1)
Afternoon matinee
(2)
Where:
- Number of children that assisted.
- Number of adults that assisted.
<h3>Resolution of the system of equations and analysis of the results</h3><h3 />
By algebraic means we find the following result associated with the system of equations:
, 
The graphic representation of this system is described in the image attached below.
The point of intersection represents the solution found analytically and represents the scenario in which the <em>same</em> quantity of adults and children assisted to both shows.
To learn more on systems of linear equations, we kindly invite to check this verified question: brainly.com/question/20379472
The equation written in standard form is 7x - y = 17
