At the end of Frankenstein, Victor has lost his humanity. This is due to the fact that he thinks he has failed at creating the monster. The monster represents a duality in Victor's life: it is both his biggest success in the field of science and also his biggest failure regarding its lack of humanity.
Victor was obsessed with creating the monster, but he never saw it as a pair, as someone who could also have feelings, this is why he never supported it nor educated it, which results in Frankenstein escaping, killing several people and becoming dangerous.
Thus, Victor's search for Frankenstein begins, but this has to do only with the fact that he considers it as a creation of his and his property, and not a human being: he wants to destroy it because of what it has done.
So, we can conclude that the correct answer is B: He becomes obsessed with finding the monster instead of forgiving it.
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I sympathize with the daughter the most in the Glass Menagerie scene.
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- Though the expectations and hopes of the mother shown in the scene are reasonable enough to comply with her feelings, the challenges that the daughter is facing to fulfill her hopes would make anyone sympathize with her.
- Human emotions often naturally tend to incline towards the one who is suffering the most. That being the reason, one would naturally sympathize with the daughter.
Answer:
The Presentation of Self in Contemporary Social Life covers the popular theories of Erving Goffman, and shows modern applications of dramaturgical analysis in a wide range of social contexts. David Shulman’s innovative new text demonstrates how Goffman’s ideas, first introduced in 1959, continue to inspire research into how we manage the impressions that others form about us. He synthesizes the work of contemporary scholars who use dramaturgical approaches from several disciplines, who recognize that many values, social norms, and laws have changed since Goffman’s time, and that contemporary society offers significant new forms of impression management that we can engage in and experience. After a general introduction to dramaturgical sociology, readers will see many examples of how Goffman’s ideas can provide powerful insights into familiar aspects of contemporary life today, including business and the workplace, popular culture, the entertainment industry, and the digital world.
