External Influence are known to be outsiders and they can cause problem to couples who are Married by:
- Creating a scenario where there is loss of trust and poor communication, They can lead to lack of respect and changes in priorities.
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<h3>What can damage a marriage?</h3>
A factor that can lead to a broken relationship is known to be the influence of external in marriage.
Therefore in your relationship, you are not allowed for your family members, friends to interfere with any issue that may come up in your marriage.
Hence, External Influence are known to be any one who is an outsiders and they can cause problem to couples who are Married by:
- Creating a scenario where there is loss of trust and poor communication, They can lead to lack of respect and changes in priorities.
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#SPJ1
<span>1 Unlike other prisoners, the men in Span One felt no Guilt
</span>2 Brille worked as a Teacher before going to prison.
3 Brille thinks of Hannetjie as <span>Child
4 </span>The servant could only cower before the powerful king.
Cringe
hope it helps
Answer:
"Boredom was a terror almost as awful as the work itself."
Explanation:
This is the metaphor that Gary Soto uses in the text "One Last Time. " In this text, Soto describes both boredom and work as awful "terrors." This shows that Soto finds it difficult and disheartening to engage in either of these activities, as he does not enjoy work or rest. The image conveys the idea that Soto has lost all drive and motivation. This metaphor contributes to creating a tone of sadness and desperation.
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
