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sergiy2304 [10]
2 years ago
9

What details suggest millers favorable attitude toward hale?

English
1 answer:
GalinKa [24]2 years ago
5 0
The Reading standards place equal emphasis on the sophistication of what students read and the skill with which they read. Standard 10 defines a grade-by-grade “staircase” of increasing text complexity that rises from beginning reading to the college and career readiness level. Whatever they are reading, students must also show a steadily growing ability to discern more from and make fuller use of text, including making an increasing number of connections among ideas and between texts, considering a wider range of textual evidence, and becoming more sensitive to inconsistencies, ambiguities, and poor reasoning in texts. (CCSS, Introduction, 8) Note on range and content of student reading To become college and career ready, students must grapple with works of exceptional craft and thought whose range extends across genres, cultures, and centuries. Such works offer profound insights into the human condition and serve as models for students‟ own thinking and writing. Along with high-quality contemporary works, these texts should be chosen from among seminal U.S. documents, the classics of American literature, and the timeless dramas of Shakespeare. Through wide and deep reading of literature and literary nonfiction of steadily increasing sophistication, students gain a reservoir of literary and cultural knowledge, references, and images; the ability to evaluate intricate arguments; and the capacity to surmount the challenges posed by complex texts. (CCSS, College and Career Readiness Anchor Standards for Reading, 35) An integrated model of literacy Although the Standards are divided into Reading, Writing, Speaking and Listening, and Language strands for conceptual clarity, the processes of communication are closely connected, as reflected throughout the Common Core State Standards document. For example, Writing standard 9 requires that students be able to write about what they read. Likewise, Speaking and Listening standard 4 sets the expectation that students will share findings from their research. (CCSS, Introduction, 4) Research and media skills blended into the Standards as a whole To be ready for college, workforce training, and life in a technological society, students need the ability to gather, comprehend, evaluate, synthesize, and report on information and ideas, to conduct original research in order to answer questions or solve problems, and to analyze and create a high volume and extensive range of print and non-print texts in media forms old and new. The need to conduct research and to produce and consume media is embedded into every aspect of today‟s curriculum. In like fashion, research and media skills and understanding are embedded throughout the Standards rather than treated in a separate section. (CCSS, Introduction, 4)
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Because its popularity, the play's concept also became a television series, which lasted five years.
Ivan

Answer: OB

Explanation:

7 0
2 years ago
What does the storm in Othello Act 2 Scene 1 stands for? <br> detailed.
sashaice [31]

Answer: Storm imagery is deeply significant in Shakespeare – cf King Lear, Macbeth and The Tempest. The storm represents chaos in the macrocosm that presages chaos in the microcosm of Othello’s soul. There was no storm in Cinthio’s tale (probable source).

Explanation:

Real storm – Othello entrusts Desdemona to Iago’s care during the crossing. In a tragic sense, he continues to leave Desdemona in Iago’s hands or at his mercy, throughout the play. Desdemona survives the natural storm, which lets ‘go safely by / the divine Desdemona’ II, i, l.68-73. Iago’s storm, an unnatural one, cannot be seen and will destroy her – it’s something so unnatural and malicious that it’s beyond her ken – she has no hope of surviving it. Shakespeare is aware that naivety and innocence may be attractive and laudable but they are also qualities which, if not tempered with experience and wisdom, will make a character very vulnerable.

The storm creates a frightening and uncertain atmosphere which unsettles the audience and renders us aware of the vulnerability of the characters. Cassio comments, ‘I have lost him on a dangerous sea’ (II,i l.46), prefiguring him losing Othello in a worse storm. He explains, ‘the great contention of the sea and skies / Parted our fellowship’ (II,i l.92-3), prefiguring Iago separating them later.

The elements are threatening: they ‘cast water on the burning bear’ and ‘Quench the guards of the ever fixed pole’ (the guards are two stars in the little bear); vital navigation aids are lost to sight, paralleling the psychological world of Othello: ‘passion having my best judgement collided [darkened] / Assays to lead the way’ II,iii..195-8. This shows that Othello has a degree of self-knowledge (this is his natural state of self-awareness) but suggests his underlying vulnerability to strong emotion and difficulty in governing it – which Iago will pinpoint and exploit.

Othello uses storm imagery on several occasions, referring to himself as a ‘labouring bark’ and Desdemona as the ‘calm’ harbour in the storm of life, a common enough image: women were supposed to create a domestic harbour for their men. When his bloody thoughts are sweeping him along he compares them to the Pontic sea, ‘Whose icy current and compulsive course / Ne’er feels retiring ebb, but keeps due on’ III, iii l.461-2.

The sea imagery continues throughout the play. At the end Othello comments, ‘Here is my journey’s end’, the ‘very sea-mark of my utmost sail’ V,ii l.268-9 ie the storm winds of passion lead to the calm of death cf Antony and Cleopatra. It’s also symptomatic of the fact that his moral world is no longer confused – he recognises evil in Iago and good in Desdemona.

For more see Othello lecture notes here. http://www.english-lecturer.co.uk/resources/Othello.pdf

5 0
3 years ago
I am having a bad day. Trouble writing an argumentive essay. Please help me if you are kind enough. Will mark brainliest​
Amanda [17]

While earning a B.A. and B.Phys.Ed. at McMaster U, Hamilton, ON, Can. circa 1970 I learned though we were still generating enough peace to keep us alive, the complementary amount of conflict predominated our existence. I asked why. After years of looking in and outside all the boxes, I found the answer is the question of meaning I call "the last why", for it will never be answered. So our ancestors tried with increasing effort to "fill the void" "Why am I?" found ever since, according to one story, it was first asked by 'Eve', who thus gave birth to humanity. The ways we try all conflict. The result is our history of increasing conflict that unless we quit, will soon end with our last puff of peace.

In 2005 my Mom's need gave me the opportunity to discover if I was a fool for asking why by seeking reaction to the explication of life in my epic "The Last Why: the poem" the only way an anonymous carpenter could, with a website. I first tried to attract visitors with prose posts but when I realized I could also rhyme reason in short verse I did for my poetry is much easier to remember. I've had to advertise so I could be twice the fool but likes suggest I may not be.  Abortion has again become

A leader in the daily news.

While one side wants to ban them all,

The other wants the right to choose.

This conflict is a recent one

Among the fights in history.

The reason for these fights in life

Is not at all a mystery.

The story of our life began

About 2 million years ago.

Our Mother Nature planned our life.

She made the choice to let us grow.

Our predecessors reached out to

The bounds of their capacities,

To ‘mothers’, and to Nature’s God,

Our natural activities.

They had unique capacities

Which were by Mother Nature picked.

They traveled side by side to them

Therefore their paths did not conflict.

They grew to be what we see now,

Gained natural intelligence,

Developed minds that could ask “why?”,

They started wanting to make sense.

Our Mother ‘Eve’ asked “Why am I?”

200,000 years ago,

Thus gave birth to humanity.

The answer, ‘Adam’ didn’t know.

Unknowns he feared instinctively.

This one he sensed he should avoid.

So he created a response

With which he tried to fill the void.

It didn’t for there is no way.

But his successors felt the need

To try repeatedly since then.

We still try now and don’t succeed.

Our tries are all unnatural

Activity. They’re all made up.

Increasing them diminishes  

The “reaching out…” that’s in our cup

Of life activities bestowed

On us by Nature long ago

With natural intelligence,

’Food’ for our minds we need to grow.

Our tries are motivated by

Unnatural intelligence

We claim mistakenly is truth

For make-believe does not make sense.

They’re all directed inwardly.  

Regardless of the blend we picked

Our tries oppose all others’ tries;

The consequence, they all conflict.

We try to fill the void with wealth,

Religion and philosophy,

Preeminence and jobs and love,

With any type of family.

We try with alcohol and drugs,

And then to make life most complex

4 0
3 years ago
Read 2 more answers
What should be included in an effective interpretive essay of a poem?
olasank [31]
An engaging thematic explanation of the poem
6 0
3 years ago
Click to read the passage from The Metamorphosis, by Franz Kafka. Then
Rashid [163]
I think Its B just for sum point thought just ignore this
4 0
3 years ago
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