I believe it’s c bc they’re going to want to communicate a specific message.
Answer:
While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
Explanation:
1. D
Explanation: Janelle takes her time to finish, therefore producing the best version of her masterpiece. Rushing a project can often be detrimental towards the price, sometimes destroying its quality completely.
2. A
Explanation: Even if the son was raised in a manner that may not have been ideal, it did not determine his future as he is the only one (for the most part) that controls what his future looks like.
3. C
Explanation: Even the most minuscule acts of kindness are appreciated, and it will be returned one way or another. It’s like a chain reaction, continuing on as it is passed from person to person.
4. B
Explanation: The fact that nobody believed in the horse yet it still managed to win illustrates the idea that the strongest and most powerful do not automatically succeed; the award is sometimes earned by the underdog instead.
-nature: it is the men's protection and shelter but is also portrayed as a living thing that is being destroyed just like them
-comradeship: Possibly the most beneficial thing a soldier can have when it comes to survival. Paul, Kat, and Kropp are very close. At one point Paul uses his friends to help him move forward. "<span>At once a new warmth flows through me. These voices, these few quiet words, these footsteps in the trench behind me recall me at a bound from the terrible loneliness and fear of death by which I had been almost destroyed. They are more to me than life, these voices, they are more than motherliness and more than fear; they are the strongest, most comforting thing there is anywhere: they are the voices of my comrades.(ch. 9. p. 216)
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the horrors of war: constant terror, violence, exposure to diseases, vermin infested living areas, technology designed only to kill with less effort, and death ( almost every character is dead by the end of the story)
the effects of war: men subject to extreme physical danger and terrifying events which in turn affect their mind. Paul forgets his past and loses his ability to speak to his family.
franz's boots: represent the cheapness of human life. They are passed from soldier to soldier as each one dies. As Kemmerich lays dying Muller is already moving to take them. The war has forced them to value the items over their fallen companions
butterflies: represent nature's beauty. A soldier lets his guard down to admire it because it reminds him of the beauty he used to know and is shot.
potato cakes: represent sacrifice. Paul's mother and sister are don't have much to eat, but give up some of what they have to Paul if it means he will have a bit of comfort.
