This question refers to the book <em>The Great Gatsby</em>.
Nick is one of the main characters in this story, and he is also the narrator. We learn that Nick moved east from the Midwest in order to try his luck in New York. He wanted to become involved in the financial boom that was taking place during the 1920s.
Nick is initially impressed by the life of luxury and glamour that he witnesses in the city. This is particularly true in the case of his relative Daisy, and her acquaintances. However, as he becomes more involved with this society, he begins to see that people are actually quite superficial and false, and that their hedonism prevents them from forming any meaningful connection to anything and anyone. He is proven right many times in the story, such as when we learn about the superficiality of Daisy's attachment to Gatsby or the lack of concern that she shows for her daughter.
Answer:
...a hard-working successful man that takes pride in his accomplishments and is willing to do labour.
Answer:
1:street lamps are helping to fight the disease.
2:A vaccine is helping to fight the disease.
3:Genetically modified mosquitoes are helping to fight the disease.
Answer:
A feminist analysis would focus on how the men discuss Mrs. Ochuba. A historical analysis would focus on whether using a native doctor was considered superstitious at the time and place the story depicts.
Explanation:
In order to answer this we need to define the terms "feminist analysis" and "historical analysis". While both of them are types of analysis of literary work, they differ in goals.
Feminist analysis focuses on analyzing in what manner women are presented in literature and also the role of gender in the character's actions and development.
On the other hand, historical analysis is the method used to help us understand the past. It focuses on examining a literature work and by doing so, learning about everyday life, tradition, customs and connecting it to a certain place and period in time.
Shakespeare uses it as a symbol of Richard's deformity of soul and as a signal of his villainous nature and depravity. There are many cruel depictions of Richard's hump in the play. Even he himself says, at the beginning of the play, that he was born that way, and born prematurely. Being repulsive as he is, it is hard for him to find any pleasure in life. This is the initial, psychological motivation for all of his misdeeds.
